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Standing with his back to her (being unaware of her entrance), looking at the wall with the smaller panels that had so attracted him the night of the dance, is Paul Rodney! "Look at him, under that fern there!" exclaims Mona, in her clear treble, that has always something sweet and plaintive in it. "On your right—no! not on your left. Sure you know your right, don't you?" with a full, but unconscious, touch of scorn. "Hurry! hurry! or he will be gone again. Was there ever such a hateful bird! With his good food in the yard, and his warm house, and his mother crying for him! Ah! there you have him! No!—yes! no! He is gone again!" "Well, do you know, I think I will take another bit of cake," says Doatie, totally unabashed. "And—cut it thick. After all, Noll, I don't believe Lilias would ever marry you, or any other man: she wouldn't know what to do with you.".
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"Oh, poor Nicholas!" says Mona sadly, "and poor little Doatie!" "Eh, but this is bad news!" says old Scully, evidently terrified and disheartened by his niece's words. "Where will it all end? Come in, Misther Rodney: let me look at ye, boy. No, not a word out of ye now till ye taste something. 'Tis in bits ye are; an' a good coat it was this mornin'. There's the whiskey, Mona, agra, an' there's the wather. Oh! the black villain! Let me examine ye, me son. Why, there's blood on ye! Oh! the murthering thief!" She stands well back from Geoffrey, and then, without any of the foolish, unlovely bashfulness that degenerates so often into awkwardness in the young, begins her dance. "Good-by," says Mona, softly, giving him her hand. He keeps it fast in both his own. Just at this moment it dawns upon her for the first time that this man loves her with a love surpassing that of most. The knowledge does not raise within her breast—as of course it should do—feelings of virtuous indignation: indeed, I regret to say that my heroine feels nothing but a deep and earnest pity, that betrays itself in her expressive face..
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